How to paint like Pablo Picasso (Cubism) – with Corey D’Augustine | IN THE STUDIO

Hi, I’m Corey D’Augustine. Welcome back to In the Studio. Today, we are responding to some of the comments from previous sections, specifically some interest in Pablo Picasso, undoubtedly one of the most crucial artists of the 20th century. Well, we’re not going to take on our friend Pablo directly. Instead, we’re going to explore one of the movements that he is most closely associated with, and, of course, that’s Cubism. Really one of the watershed moments in the 20th

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How to Paint Like Frank Bowling | Tate

My name is Frank Bowling and I’m a painter Today, my friend, Spencer Richard, and my grandson, Frederick Bowling will show you some of my procedures Today we are demonstrating some of Frank’s techniques from the artworks in the Tate collection Spread Out Ron Kitaj and Sacha Jason Guyana Dreams We both assist Frank with his paintings and over the years we’ve seen him experiment in many, many different ways. Here are some of the materials that he uses in

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Steve Reich on how a composer reads sculpture | MoMA BBC | THE WAY I SEE IT

Steve Reich: I’m Steve Reich. I’m a composer. Richard Serra is a very old friend, and an artist that I hold in the highest regard. And when the list of options was given to me of what works were possible, it was clear that I would choose this extremely important piece of a good friend and great artist. So when something comes along that’s indisputable, like Equal, by Richard Serra, you are called to attention. His work demands your physical

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Zoo Pornographer – SNL

>>GOOD MORNING, GOOD PEOPLE, GOOD NEWS. IT’S “GOOD DAY, DENVER.” >>IT’S 7:00 A.M. IN DENVER ON THIS BEAUTIFUL SUNNY DAY. I’M JANET LORADO DIEKMAN ALONGSIDE ALAN “FUN TIE” OVERBROOK.>>WHAT? THIS COUNTRY IS A MESS. I THOUGHT I WOULD HELP BRIGHTEN THINGS UP WITH A FUN TIE.>>BRIGHT IS RIGHT! WHERE ARE MY RAY-BANS, GEEZ!>>COME ON! >>LOTS GOING ON THIS MORNING? BUT FIRST, LET’S CHECK IN WITH OUR FIELD REPORTER, DONNA HEMING WHO IS AT THE DENVER ZOO WITH DANNY BANGS. A

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Richard Serra: Equal | ARTIST STORIES

I’m a sculptor that’s interested in the invention of form. I’m not primarily interested in the invention of images. If you’re interested in the invention of form, you have to understand where it came from, how it developed, how people put things together. When I first went to the forge I asked if they could hammer the edge of the cube down to less than 10 millimetres. They’d never forged anything this large before with any kind of exactitude. I

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Gilbert & George: The Early Years | ARTIST STORIES

Being living sculpture is our lifeblood, our destiny, our romance, our disaster, our light and life. As day breaks over us, we rise into a vacuum and the cold morning light filters dustily through the window. We step into the responsibility suits of our art. Gilbert & George have a wide range of sculptures for you. -Singing sculpture. -Interview sculpture. -Dancing sculpture. -Meal sculpture. -Walking sculpture. -Nerve sculpture. -Café sculpture. -And philosophy sculpture. So do contact us. Name, address and

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A Canadian painter risks everything to break into New York’s art market | Fisk: The New York Opening

(honk) – When I was younger, when I was in school, I had a hard time. I didn’t fit into the stream. And I got kicked out of schools, expelled, suspended… I don’t know how many times. So what I needed, thankfully, was some sort of way to define myself, give myself an identity. Fortunately, my mother put me into lessons when I was, I think, seven. I always say that if I didn’t have my art, I’d probably be

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Editor Jeffrey Wolf, ACE on His Process Editing Eddie Murphy’s SNL Sketch “White Like Me”

Eddie Murphy: You know a lot of people talk about racial prejudice and some people have gone so far as to say that they’re actually two Americas. One black and one white. But talk is cheap. So I decided to look into the problem myself firsthand. To go underground and actually experience America as a white man. Editor Jeffrey Wolf: Before I even worked with Arthur or Teddy I worked at Satruday Night Live doing some of their film bits

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Introduction to Modern Art & Ideas

Traditionally modern art has been organized, separated and discussed in great length by time period and movement. We wouldn’t be doing that. These videos will instead look at art by theme. Places & Spaces. Art & Identity. Transforming Everyday Objects. And Art & Society. These themes in an attempt to bridge the gap between modern art & you. I think that modern art can meet you where you are and allows you to work with what you already know. It

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