Industrial Design for Outer Space

[COMPUTER MUSIC] EVAN TWYFORD: Three dimensional design for me was always kind of the greatest form of creation. Being able to take an idea from that very tiny amount of energy, being this idea in your head, and then formulating that into a fully functional three-dimensional product. Take that a step further, I always kind of wanted to design the ultimate three dimensional object, right? And so designing space vehicles, to me, was like that ultimate form of creation. It’s

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The Best Drip Ink in Graffiti: KRINK

CRAIG COSTELLO: I never studied painting. All my experience with putting paint on something came from graffiti. And the kind of graffiti I did was always really simple. As I started to paint in a studio, I would paint these letters and straight lines and everything. And I would try to make it perfect, and it just drove me insane. I grew up in New York. I’m from Queens, Forest Hills. And I grew up, I was a teenager in

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What It’s Like to Make Art on DMT

Morris: Exactly how DMT alters human consciousness has eluded scientists, mystics, and the average Joe that smokes DMT. I’m just…the average Joe that smokes DMT occasionally and paints Mickey Mouses. Morris: Joe Roberts is a painter whose work breaks with the conventions of visionary art to explore new ways of depicting the DMT experience. Can you show me some of the work that you’ve been doing? Roberts: Wow, they really do a good job. I — I — for me,

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The Cannibal Warlords of Liberia (Full Documentary)

SHANE SMITH: So is that why your nickname was General Butt Naked? SHANE SMITH: A lot of people would drink or do drugs before fighting? SHANE SMITH: Yeah. SHANE SMITH: So you killed the child? JOSHUA BLAHYI: Yes. SHANE SMITH: And then you drank the blood? JOSHUA BLAHYI: Yeah. MALE SPEAKER : [SPEAKING FOREIGN LANGUAGE] CROWD: [SPEAKING FOREIGN LANGUAGE] MALE SPEAKER 1 : So what kind of war is this? Guerrilla? MALE SPEAKER 2 : World War III. SHANE SMITH:

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Lottery Ticket Sculptures

LAUREN WAS: We kept finding these lottery tickets littered all over the ground. And we started picking them up thinking that they were somebody’s lost wish, that they were this hope and dream that they had, and then they tossed it away. We started thinking about what those dreams actually meant and what happens if you collected enough of those to make that dream into a reality. Wassaic’s about two hours outside of the city. We’re the last step on

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KRINK: The Best Drip Ink in Graffiti

CRAIG COSTELLO: I never studied painting. All my experience with putting paint on something came from graffiti. And the kind of graffiti I did was always really simple. As I started to paint in a studio, I would paint these letters and straight lines and everything. And I would try to make it perfect, and it just drove me insane. I grew up in New York. I’m from Queens, Forest Hills. And I grew up, I was a teenager in

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Continuation Painting with Richard Prince

RICHARD PRINCE: You know, there’s just lots of different things that I do. And sometimes I spend a day doing a de Kooning painting. And then I’ll spend the rest of the day doing a nurse painting. The next day I’ll do a photograph. And the day after that, I’ll do a hood sculpture. And nothing ever really looks the same. It really depends upon the subject matter. The subject matter sort of dictates the look of the final thing.

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